EPK & BTS SERVICES
On-set coverage, cast interviews and publicity content for film and television productions.
Led by Mark Jury, with additional camera, sound and production support added when the brief requires it.
MARK JURY • SELF-SHOOTING DIRECTOR
A small EPK unit that can scale when needed
Most jobs do not need a large publicity crew. Mark can cover BTS, interviews and publicity footage as a self-shooting director, then bring in additional operators, location sound or runner support when the schedule calls for it.
Mark’s production experience includes independent films, music recording sessions and multi-million-pound feature films, working on location and on set.
He is used to guiding actors through interviews, co-ordinating with 2nd ADs, production managers and producers, and working around the main unit rather than asking the unit to work around him.
Lead operator package
- Sony FX6 / FX5
- Sony G Master lenses
- Sennheiser MKH 416 and professional sync sound
- Compact mobile interview lighting
- Raw footage or edited delivery
Core EPK services
Book one service or combine them across a production schedule.
ON-SET BTS
Observational filming around principal photography, rehearsals, camera setups, lighting, locations and the working production environment.
- Handheld or locked-off coverage
- Cast and crew moments
- Unit base and establishing footage
- Publicity, sales or archive use
CAST & HOD INTERVIEWS
Professionally lit and recorded interviews with actors, directors and Heads of Department for EPKs, featurettes and press use.
- Single or multi-camera
- Presenter guidance and interview direction
- Own mobile lighting or production gaffer / DP
- Clean dialogue and room tone
PUBLICITY DAYS
Controlled interview, press and promotional filming away from the pressure of principal photography or fitted into agreed cast windows.
- Press interviews and roundtables
- Social and distributor content
- Multiple contributors
- Fast file handover where required
ADDITIONAL EPK COVERAGE
Extra camera support for productions that already have an EPK or publicity operation but need another operator, location or unit covered.
- Second camera
- Parallel BTS coverage
- Additional location days
- White-label working if required
EPK EDITING
Post-production for supplied or newly filmed material, from interview selects to finished publicity edits.
- EPK and featurette edits
- Interview selects
- Social cut-downs
- Subtitles and lower thirds
ORGANISED DELIVERY
Footage can be handed directly to your publicity or post team in the format and folder structure they need.
- ProRes, DNxHR or H.264
- Labelled interview clips
- Timecoded B-roll
- Secure transfer or drive handover
HOW WE WORK ON SET
Useful coverage without adding friction to the production
EPK filming has to fit around the main unit. Mark is comfortable working to call sheets, waiting for the right access, moving quickly when a window opens and keeping equipment out of the way when it does not.
- Co-ordination with 2nd ADs, production managers and producers
- Cast interviews handled calmly and efficiently
- Compact footprint around working sets
- NDA and embargo working where required
- No public credit required for white-label assignments
Who this service is for
EPK Crew is aimed at funded productions that need proper publicity coverage without automatically bringing in a large dedicated EPK department.
INDEPENDENT FEATURES
Productions with a real publicity need but no requirement for a large EPK department.
PRODUCTION COMPANIES
Direct bookings for BTS, cast interviews, publicity days and extra coverage.
PUBLICISTS & PR
Camera support for unit publicists, agencies and marketing teams managing campaign assets.
DISTRIBUTORS & SALES
Interview, BTS and promotional assets for press, festivals, markets and release campaigns.
Need to see an example?
Public EPK material is limited by confidentiality and usage restrictions. Where permission allows, a private feature-film example can be shown to verified production enquiries.
NDA, embargo and white-label working are available where required.
Tell us what the production needs
Send the dates, location, likely cast access and what you need captured. We’ll recommend the smallest sensible crew and quote from there.